You’ll find that doing this will strengthen your improvising skills and help to create your own unique sound on the guitar. Indie Courses are video course downloads produced independently from TrueFire. How To Use Your Blues Licks During Improvisations. The Evolution of Modern Blues 30 lessons from Artur Menezes. on countless tunes, including Please Love Me, and appropriated globally by blues merchants everywhere. It is a great way to start a phrase, or a great way to extend a phrase with a new idea. bass – Basic Bass Lines and Scales. The only addition to the two licks is the note that is indicated with the blue circle. Once your bag of guitar tricks is filled with these two very famous and important blues licks, it is essential that you start using them in a musical situation such as an improvisation. The techniques required to play the lick are simply a hammer-on and vibrato technique. 6 licks may not sound like a lot, but you see I’m playing these licks over 2 completely different tracks. Whether you look at the blues scale as its own thing or as a minor pentatonic scale with one note added is up to you. To learn more minor blues scale riffs, check out Blues Guitar 101 – M ode Foundations. This is about the easiest and most relevant way to do this. In the key of A, the b5 is Eb, that note we’re grabbing at the fourth fret on the second string in this lick. This note is the high e string and also the root note of the E minor and the E major pentatonic scale, which makes it perfect to use as a glue to form one compelling blues lick out of the two smaller licks. Categories: Advanced, Banjo, Intermediate, Skills. Analysis Of The Famous Blues Lick’s Rhythm. Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in the accompanying PDF book. Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in the accompanying PDF book. All of the licks that we’ll look at here will be presented in the context of an A major blues. The reason why blues music has such a unique sound lays in the fact that the tonality changes a lot from minor to major sounds. A quick run through these shapes will help wake up our hands and minds. Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune. guitar – Aberdeen by Della Mae YOUTUBE. Example 2. The blues scale has all the same notes as the minor pentatonic scale – R, b3, 4, 5, b7 – with the b5 added. Considered by many to be the first electric guitar hero, Mike Bloomfield favored tangy bends like the one shown in FIGURE 9 in Don’t Throw Your Love on Me So Strong and I’ve Got a Mind to Give Up Living. A. FIGURE 16 presents a very straightforward take on our 12 licks. This simply means that the accent lays in between the beats and you have to start the lick at the upbeat from beat one. This compact shape, known colloquially as the “Albert King Box” - because King virtually lived there after he signed with Stax/Volt Records in 1966 - is an especially finger-friendly position. Presented here for your edification are 12 classic blues phrases, each with a certified pedigree. Accurate intonation and a steady wide vibrato are paramount to make this bad boy sing. Take your short blues licks and connect them into longer flowing phrases that extend beyond the box pattern. Each jam track includes a full band playing minus the lead guitar. In addition to this article I would recommend you to study my Guide on How To Play The Most Awesome Licks Over Any Blues Chord. Melodic Style Blues Licks quantity. T-Bone Walker – Stormy Monday . Blues and Stomps (Morton, Jelly Roll) Blues comme l'enfer (Letort, Bruno) Blues for Piano and Percussion (Kinadjian, Pascal) Blues for Rodica (Nichifor, Serban) Blues for Simone (Nehls, Ulrich) Blues for Woodwinds (Tang, Elizabeth) Blues In Memory of Jaco Pastorius (Nichifor, Serban) 3 Blues (Allard, Michel) Blues, Op.74 (Fine, … Combining binary and ternary rhythms is one of the skills that will enrich your phrasing skills remarkably. I love the groove and his feel is just magical. Take a listen for example to the style of Stevie Ray Vaughan who’s constantly using short cliché blues licks that are glued together to make it really big and powerful. Place your slide on your third or fourth finger and aim directly over the fret you're playing (not behind it). Blues Guitar Solo - learn a long blues guitar solo full of cool blues guitar licks played by Jimi Hendrix, Eric Clapton, Mark Knopfler, B.B. This specific double stop is a must to learn for every guitarist who wants to play blues as it is literally the most used double stop in the whole blues scene. In any form of music, some melodic ideas sound more at a home than others. This item: Vol. While this "does the job" as far as creating that bluesy sound, there is a far more effective and expressive way of playing through blues changes. The solo is over a jazz blues in F and is full of classic Wes licks and ideas that you can apply to your own playing. Example 2. bass – Basic Bass Lines and Scales. Why I sing the blues Well, I've been around a long time I really have paid my dues" - B. In the next scale diagrams you can clearly see which notes from the tablature above belong to which corresponding parts of the minor and major pentatonic scale: When you learn licks, it is always very important that you don’t fall in the trap of just copying licks. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. The two blues licks we analysed in this article are on the other hand perfect to use over dominant seven chords such as the ones used in a standard 12 bar blues. You’ll notice that playing both licks after each other won’t sound that great. Your solos just sound very "right" to my ears so when I learn your licks it's really something I can use. In addition to this article I would recommend you to study my Guide on How To Play The Most Awesome Licks Over Any Blues Chord. Luca has very kindly allowed me to post some of those licks here for you to learn. All of the licks that we’ll look at here will be presented in the context of an A major blues. King had been heard tweaking up the tension in his solos with this slippery triplet pattern, shown in FIGURE 10. Future US, Inc. 11 West 42nd Street, 15th Floor, The lick starts with a Charlie Christian esc diminished lick followed by some punchy 9 th and 13 th chords played with big band type rhythms and appears at the very beginning of the … Additional songs include All the Love I Miss Loving, As the Years Go Passing By, How Long Blues, Hesitation Blues, Corrine Corrina and Stagerlee. FIGURE 7 is the classic Albert King lick. B.B. You’ll find that doing this will strengthen your improvising skills and help to create your own unique sound on the guitar. Just like the first blues lick, this second lick is a mixture of both major and minor sounds. See Issue 2 of GC mag for our inter-view with Jimmy. In this free downloadable ebook on How To Play Licks Over Any Blues Chord you’ll learn exactly what to do when improvising over blues chords. Blues lick 6 is one of those I-IV-I-V7 turnaround blues licks in the spirit of E.C.’s “Sleepy Time Time” moves. However, 90% of the time these licks are gonna work great over most typical blues progressions with In any key using Dominant 7th chords. C. Analysis Of The Famous Blues Lick’s Theory. Visit our corporate site. FIGURE 6 is the classic I chord lick, popularized by B.B. guitar – 12 bar solo – 3 phrase style. Most of them are simple, and easy to use in a wide range of musical situations – rock, blues, alternative, country, you name it. Or you can play them in sequence over a standard 12-bar blues to create one very hip solo, as we’ll do for the very last step of this lesson. GuitarPlayer is part of Future US Inc, an international media group and leading digital publisher. Make sure to take a look at the video so you know how this second blues lick sound. When listening to the best blues guitarists you'll notice that there are several famous licks they use all of the time. Once your bag of guitar tricks is filled with these two very famous and important blues licks, it is essential that you … We’re simply playing them in a row, as presented, with a few slight modifications in rhythm. Freddie King continues this run (FIGURE 14) much like the ones to be found in Torn Down. Additional songs include All the Love I Miss Loving, As the Years Go Passing By, How Long Blues, Hesitation Blues, Corrine Corrina and Stagerlee. These licks can be used in a variety of styles of playing – blues, boogie woogie, jazz, rock, country, etc. Depending on your current level of ability, you may or may not find these licks super-easy, but with a bit of practice they should provide a relatively achievable way of getting a bit of speed into your playing. Enjoy the old-timey feel of these timeless masterpieces. guitar – 12 bar solo – 3 phrase style. Then, if you want to play that lick over C7, you have to move it to a C major blues scale position. in addition to the HD video links, you will also get three inspiring minor blues backing tracks for you to develop new solos using the ideas learned in this pack. In this video I’ll show you the complete process on how to combine short licks into one longer blues lick: On the tablature above you’ll notice both blues lick 1 and blues lick 2 that are merged together. The two blues licks we analysed in this article are on the other hand perfect to use over dominant seven chords such as the ones used in a standard 12 bar blues. This is particularly true of blues, a style loosely based upon musical cliches that … This is particularly true of blues, a style loosely based upon musical cliches that have survived generations. guitar – 12 Bar Blues in E – with jazz chords. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. steps up to the plate once more with this lick (FIGURE 13) in a King’s Special vein. In the key of A, the b5 is Eb, that note we’re grabbing at the fourth fret on the second string in this lick. Any listing of the great blues guitar licks would have to include its fair share of B.B. banjo – 3/4 Time Blues Licks. It’s also a great idea to leave the guitar pick out once in a while and play with the fingers only. Acoustic Blues Guitar Lick by Jody Worrell is a free lesson that will teach you a great way to kick off an acoustic blues tune. 42, Blues In All Keys (Book & CD Set) (Jazz Play-A-Long for All Musicians) by Jamey Aebersold Paperback $17.90 Ships from and sold by Book Depository US. A double stop technique simply means that there are two notes on adjacent strings played at the same time. More Details... 96 Rock Licks Ready to take the step from Rhythm to Lead Guitar? This is the reason why the collection of these famous licks is a crucial aspect in your own development as a guitarist. All great blues master guitarists use them in their own solos, so neglecting this aspect is a huge loss for anyone who tries to play blues guitar. However, 90% of the time these licks are gonna work great over most typical blues progressions with In any key using Dominant 7th chords. 3 (CD included) (Jazz… by … Blues Lick #7: Strange Blue Disraeli Gears, the follow-up to Fresh Cream, found the band stepping into psychedelic territory, with more adventurous songwriting and wilder tones—including Clapton’s first … View Lesson Description View Lesson We all know that playing Melodic Style is a great way to get fast and fancy banjo runs, but it gets even cooler when you use blues scales. “Steal” what you like, fr… The blues consists out of a lot of famous guitar licks that were transferred from one guitarist to another. This first lick comes from Guns and Roses legendary song “Paradise City”. The blues lick below seems very easy at first but should not be underestimated rhythmically. Soloing Over Blues Progressions - A More Effective Approach Most guitarists are taught to play minor pentatonic or the flat 5 blues scale when soloing over a 1 4 5 blues progression. But don’t worry about that for now, if you’re new to blues guitar, then focus on getting the phrasing and the techniques down first. Luca’s licks really stood out and I really enjoyed learning them. The Evolution of Modern Blues … Blues and Stomps (Morton, Jelly Roll) Blues comme l'enfer (Letort, Bruno) Blues for Piano and Percussion (Kinadjian, Pascal) Blues for Rodica (Nichifor, Serban) Blues for Simone (Nehls, Ulrich) Blues for Woodwinds (Tang, Elizabeth) Blues In Memory of Jaco Pastorius (Nichifor, Serban) 3 Blues (Allard, Michel) Blues, Op.74 (Fine, Marshall) Spoonful is a blues song by Willie Dixon that was first recorded in 1960 by Howlin’ Wolf. Please refresh the page and try again. The mighty T-Bone cut heads in tunes like Strolling with Bones with this powerful diminished chord voicing, shown in FIGURE 11. This riff demonstrates some beautiful slow blues chords with an augmented triad.. Later on it was covered by Etta James and Harvey Fuqua as a duet , and it was popularized in the late 60s by the band Cream. Try doing the same yourself. The II-V7-I Progression: The Most Important Musical Sequence in Jazz, Vol. You must gain the knowledge of the scale where the lick is derived from. Pulling out a couple of more traditional licks for the return to E in the next two bars allows a ringing, full sound. This is about the easiest and most relevant way to do this. For those willing to pay their dues and play the blues, these licks are a rite of passage and a continuous source of inspiration. 3 Major Blues Licks. Our simple lick will help you develop this tricky technique. Prominently displayed in Crosscut Saw and Born Under a Bad Sign, it hovers and swoops like bird of prey. New York, Most of them are simple, and easy to use in a wide range of musical situations – rock, blues, alternative, country, you name it. Lick #5 – 1:51 – “Bona Massa” from Jay-P’s 30 Cutting-Edge Blues Licks Learning and assimilating the concepts behind these jazz guitar licks is a great way to improve your improvisational skills and expand your jazz vocabulary. Called “a stark and haunting work”, it is one of Dixon’s best known and most interpreted songs. Indie Courses are video course downloads produced independently from TrueFire. You can learn from the masters. Analysis Of The Famous Blues Lick’s Theory. I’ve picked licks that are rock, blues, folk, pop and Hawaiian in style so there’s something for you no matter which style you’re into. BLUES LICKS. They're all very very common licks that you'll find most blues players using, so you want to 'put these in your bag' right away. This Rock Licks course comes complete with three DVDs, and an audio CD with ten full on audio jam tracks. Breaking free momentarily from the tyranny of the scale, FIGURE 8 purveys a sliding IV6-to-IV9 chord pattern beloved by the likes of Johnny Moore (who played with Charles Brown in the 1940s) and T-Bone Walker. Analysis Of The Famous Blues Lick’s Technicality. 249 8 94% Approve. Make sure that you barre fret 5 with your index finger after the blue note bend at fret 8. You can drop any of these 12 classic phrases into a blues-based progression and come out smiling. This lick comes from Fat’s intro on ‘Rock This House’ from the complete 1979 studio sessions. Let’s check ’em out! Remember all of these licks can be moved up or down the fretboard, which means that you can fit them into just about any key. They're all very very common licks that you'll find most blues players using, so you want to 'put these in your bag' right … Let’s check ’em out! guitar – Aberdeen by Della Mae YOUTUBE. They are the foundation on which a solid house of blues is built. played this one on Three O’Clock Blues, and it is entirely possible that Eric Clapton learned it from that breakthrough hit. so you'll need to have done some work on your bending before having a go at these licks! This T-Bone lick is played at the turnaround of a blues progression, and can be used as either an intro or at the end of any verse during a 12 bar blues. The long A7 at the start sets the stage for the first bar, changing to A minor 7th in the second, introducing a bit of minor … By doing so you can make use of other types of dynamics into your guitar playing which aren't otherwise possible. The DVDs, audio CD, and this book of written bass -walking 12 bar blues in E. guitar – 12 bar blues – 2nd position study. Dig that the root (A), b5th (Eb) and b3rd (C) are right out of the A blues scale, while the 6th (F#) hints at the A Mixolydian mode. Often recorded in educators’ home studios, these products present fresh educational concepts and effective teaching methodologies. Melodic Style Blues Licks quantity. SRV is for many people on of the finest blues players of all time and he has loads of awesome licks that are great to steal and work into your own playing. This page features 250+ classic jazz guitar licks, riffs, and patterns from the biggest names in jazz. B.B. A. Initially this transfer happened by ear but nowadays a lot of people rely on tablature. Resolving to the root (A) of the I chord allows us the opportunity to follow with a lick that can chart an entirely new course, which is exactly what we see next. This last lick (FIGURE 15), probably has its roots in the work of B.B. #01: SRV: P1 Flat 5 Slide Starting my new Weekly Blues Lick series is a great lick from Stevie Ray Vaughan. Slash is known for having long phrases, so all of the licks seen here will be slightly larger than from the previous guitarists. T-Bone Walker showcased similar hot licks in his Description Blues and Alimony Blues. Spend some time listening to and transcribing your favorite guitar solos. If not, you will end up using the lick in a wrong context. It’s important that you don’t start the lick right away on the first beat because it is syncopated. In some ways, you are getting 2 lessons in one. The blues scale has all the same notes as the minor pentatonic scale – R, b3, 4, 5, b7 – with the b5 added. Note the use of Eb as a passing tone between E and D, and the half-step bend from the B to C - neither of these twists belongs to the A blues scale. Use your index finger for the b3rd (C) and the bend and vibrato'd major 3rd (C#). This 4 DVD and 2 CD training program will really develop your scales Start with your ring finger, using it for the full-step bend and the repeat of the root (A). Use your first finger to … Later on it was covered by Etta James and Harvey Fuqua as a duet , and it was popularized in the late 60s by the band Cream. For example, playing these licks in a minor blues setting will end very bad. While this "does the job" as far as creating that bluesy sound, there is a far more effective and expressive way of playing through blues changes. so you'll need to have done some work on your bending before having a go at these licks! How To Use Your Blues Licks During Improvisations. The bend of the b7th (G) to the root (A) should be executed with the pinkie, backed up by the ring, middle and index fingers. (Image credit: Michael Ochs Archives/Getty Images), John Petrucci: Recording Guitar is Like Trimming Your Beard, Tempered Tonewoods and Meticulous, Minimalist Builds Give the Novo Solus F1 and M1 a Winning Vintage Character, Keith Richards Discusses the Joys of Blending Lead and Rhythm Playing, His Love of Chuck Berry, and More in 1977 GP Interview, Gibson Les Paul Traditional Pro V & Pro V Satin Review, Keeley Unveils New Daniel Donato Cosmic Country Phaser Pedal. Start with your index finger, switching to your ring finger for the full-step bend of the 5th (E) to the 6th (F#). The double stops leading from bar 3 to 4 are played using pick and fingers. While learning blues guitar licks is an important step to take, you'll need more than this. Jody will teach you how to play the lick with note by note instruction covering techniques like slides, hammer ons, stops, and triplets. This lick is in the key of E and you can play it using a flatpick or some basic fingerpicking. In this case you have to use a ‘glue’ in the form of extra notes to create a good end result. NY 10036. King and Stevie Ray Vaughn... includes complete notes, guitar tablature and blues mp3 plackbaks for self study or to play as a band. Our simple lick will help you develop this tricky technique. Thank you for signing up to GuitarPlayer. Use one continuous upstroke to zip down the run to the 5th (E). B Analysis Of The Famous Blues Lick’s Technicality. The Battle of Blue Licks, fought on August 19, 1782, was one of the last battles of the American Revolutionary War.The battle occurred ten months after Lord Cornwallis's surrender at Yorktown, which had effectively ended the war in the east.On a hill next to the Licking River in what is now Robertson County, Kentucky (then Fayette … Twenty fingerstyle blues licks that you can you can use to begin, end, and transition in your twelve bar blues playing. Take long licks, short licks, parts of a lick, glue one lick after another, etc. Blues Guitar Solo - learn a long blues guitar solo full of cool blues guitar licks played by Jimi Hendrix, Eric Clapton, Mark Knopfler, B.B. King employed a lick like the one shown in FIGURE 5 in his track Sweet Little Angel from Live at the Regal. Notice how at the end of this combination of pentatonic and blues scale, Slash uses pinch harmonics to give it a little more grit … As an aspiring blues guitarist it is really important to create a 'bag of tricks' filled with guitar licks. The double stops leading from bar 3 to 4 are played using pick and fingers. Before we dive in, let’s take a look at three blues scale patterns that form the basis of our 12 licks. Okay, so that’s enough chit chat, let’s get started with these Licks. Add to cart. Whether you look at the blues scale as its own thing or as a minor pentatonic scale with one note added is up to you. The bends to the b5th (Eb) and the true blue note (between C and C#) establish a solid blues tonality. B.B. B. King Box” (because he spent so much time there from the Sixties onward), contains the same scale degrees as the previous box but covers more of the fingerboard. Here is the music notation and backing track : The first 8 bars use the F minor pentatonic scale, mixed with the major 3rd (bar 3). The quarter-note bend that begins each beat imparts an elastic feel that is quite captivating. In beat two you have to make use of a triplet rhythm so you play three notes here. This particular example, with a root-4th (A–D) dyad thrown in, was used by the underrated Lonnie Mack in Down and Out. To help you take minor blues scales into your lead guitar studies, here are three licks that use this scale over different chords and progressions. Be Creative, Inspire, and good luck to anybody who uses them, hopefully you find these licks … In any form of music, some melodic ideas sound more at a home than others. This means that if you have a G major blues scale lick, you use that over a G7 chord in a blues solo. Called “a stark and haunting work”, it is one of Dixon’s best known and most interpreted songs. The use of the b5th (Eb) - played straight on rather than bent up to - is more characteristic of jazz than blues, but the pattern makes for a dandy turnaround lick over the I chord when you want to maintain a scalar approach. One of most popular Blues rock licks in history is the intro of Eric Clapton’s Layla. It’s based out of the blues scale but there are voodoo elements resolving to the major 3rd. It’s based out of the blues scale but there are voodoo elements resolving to the major 3rd. Okay, so that’s enough chit chat, let’s get started with these Licks. This is a long lick and the rhythm is tricky so learn it in small pieces and practice it slowly. Spoonful is a blues song by Willie Dixon that was first recorded in 1960 by Howlin’ Wolf. Rocking The Blues Jimmy Dillon is something of a Blues legend and this 3 DVD course will really have you play-ing like the Blues greats. This collection of 30 licks will inspire you new ideas using the minor pentatonic scale and multiple keys and in multiple tempos. The solo is over a jazz blues in F and is full of classic Wes licks and ideas that you can apply to your own playing. Let’s check ’em out! You can drop any of these into a blues-based progression and come out smiling. Let’s check ’em out! 6 Killer Blues Licks (Key of E) This time, I’ve created a fun lesson for you who want to learn killer blues licks. © From Robert Johnson and Elmore James to Derek Trucks, Gary Clark Jr and Dan Auerbach, slide has long been at the heart of blues. This lick is used a great deal by just about every blues and rock player. If you listen to blues music you will notice that a lot of classic blues licks return all the time, not as separate licks but they are combined into one bigger lick. bass -walking 12 bar blues in E. guitar – 12 bar blues – 2nd position study. #01: SRV: P1 Flat 5 Slide Starting my new Weekly Blues Lick series is … When you start playing solos and thinking of the architecture of a solo, how to build up and release tension and all these things, you need a basic set of Blues licks to start with. Lick #1 The first blues piano lick is two measures long and works over a single dominant chord. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. King and Stevie Ray Vaughn... includes complete notes, guitar tablature and blues mp3 plackbaks for self study or to play as a band.

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